May 29th, 2025 – This spring, London’s Cadogan Gallery welcomes Rare Earth, a new solo exhibition by British painter Deborah Tarr. Opening May 29 and running through June 28, 2025, the show is a commanding addition to the city’s contemporary art season—one that brings atmosphere and introspection to the fore. Known for her nuanced approach to abstraction, Tarr’s latest body of work is deeply rooted in the textures of land, sea, and sky, while also reaching inward toward the emotional and the unseen.
Set within the gallery’s Harriet Street space in Belgravia, Rare Earth builds on Tarr’s reputation as one of the UK’s most compelling voices in modern painting. The collection includes richly layered canvases that blur the line between landscape and inner landscape, between what is remembered and what is felt.
There’s a quiet gravity to Tarr’s work—a poise that doesn’t demand attention so much as it gently compels it. Drawing on geological forms, tidal movements, and lunar rhythms, the artist distills vast, often wild elements into pared-back compositions. A mountain ridge becomes a gesture; a coastline, a tonal shift; the moon, a discreet red disc that hovers with purpose.
In The Painted Desert, Arizona, a minimal red moon anchors the canvas with subtle force. In The Helford, a standout of the exhibition, Tarr captures stillness not as absence, but as presence—the kind that echoes long after you’ve stepped away. Each brushstroke feels intentional, and each canvas reads like a page from a visual diary that speaks in quiet tones about matter, memory, and the way we carry landscape within us.
“I’m interested in what lies beneath the surface—both in the physicality of the paint and in our inner landscapes. My work is about presence, absence, and everything in between.”Deborah Tarr, Painter and Artist Behind "Rare Earth"
Part of Tarr’s signature approach lies in her use of texture and negative space. The works are grounded in rich natural pigments and restrained palettes, with layering that suggests both time and erosion. Framing is also essential to the artist’s process. Each piece is housed in either antique, custom, or reclaimed frames—chosen not as an afterthought but as a complement to the composition, introducing a quiet dialogue between permanence and impermanence, structure and spontaneity.
This considered approach results in paintings that feel like objects, each one complete and self-contained. Yet they also feel porous—open to interpretation, to reflection, to a kind of personal connection that doesn’t require explanation.
Deborah Tarr, born in Manchester in 1966, has long explored the space between realism and abstraction. Though her works may reference specific topographies—the British coastlines or California deserts—they resist literal interpretation. These are not depictions of place; they are distillations of mood and memory. Cadogan Gallery has represented Tarr since 2002, and Rare Earth marks a vital evolution in her ongoing exploration of form, atmosphere, and restraint.
Cadogan itself has played an influential role in shaping London’s contemporary art scene since its founding in 1980. Under the direction of Freddie Burness, the gallery maintains a commitment to artist development over market noise, focusing on abstraction and authenticity. Its Belgravia and Milan spaces continue to foster relationships between artists and collectors who value depth and longevity over spectacle.
Rare Earth By Deborah Tarr
Location: Cadogan Gallery, 7–9 Harriet Street, London SW1X 9JS
Exhibition Dates: 29 May – 28 June, 2025
Private View: Thursday 29 May, 6–8 PM
In Rare Earth, Tarr offers not just a collection of paintings, but a carefully curated atmosphere—one where stillness hums with energy, and every canvas leaves space for the viewer to breathe. It’s an invitation to slow down, observe, and find meaning in the quiet folds of the natural world.