Reflecting on my childhood, I realized creativity always drew me in. I started sketching and painting in my books as a child, even during classes. Unlike my classmates, this approach was how I connected with the world, seeing beauty from unique perspectives. I was captivated by the subtle details—colors, shapes, and the overlooked elements.

Art was essential for expressing my thoughts on canvas. Although I initially pursued architecture for its structural elements, my true passion was always the fine arts. I enriched my understanding by visiting museums and galleries across New York and Europe, immersing myself in different artistic expressions and materials.

My art evolved significantly over time, deeply influenced by life's milestones, such as the birth of my children, which vividly altered my color palette. Such changes inspired me to explore new directions; I transitioned from painting to sculpting. Despite having no formal training in sculpture, I embraced the challenge, driven by a desire for my art to represent genuine emotions rather than merely pleasing viewers. This authenticity has been pivotal, allowing people to feel a real connection to my work.

Sculpting is a complex and lengthy process, distinctly different from painting. It requires a clear long-term vision, as creating a sculpture typically takes about eight months. I must be certain of every detail before starting, given this extended duration. Once complete, a sculpture begins its own journey.

Life itself inspires my creative process—everyday experiences, colors, shapes, and stories. I often observe people in cafés, sketching my observations. These not only capture the visual but also the emotional essence of moments—joy, relaxation, beauty.

My strong photographic memory helps immensely, retaining the fine details and emotions of these scenes. Through my sculptures, I aim to convey these feelings, allowing others to appreciate life's subtler aspects. This approach hopes to offer a new perspective, making the ordinary extraordinary.

I'm drawn to beauty in all its complexities, acknowledging that beauty often coexists with imperfection. I use elegant imagery to convey meaningful messages, aiming to evoke deep emotions similar to the elegance in this conversation.

Initially, my focus on the human form in paintings allowed me to construct compelling narratives. Whether it’s a scene depicting relaxation, sport, or balance, these figures create a visual narrative that invites viewers to perceive life differently.

In sculpture, the human form extends to represent broader concepts. For instance, a diver poised above the water symbolizes not just a physical leap, but a metaphorical dive into pursuing one's dreams. It's about capturing more than a moment; it's about expressing aspirations and the profound aspects of human experience. I strive to infuse each piece with its unique narrative, connecting viewers to deeper, often unspoken stories.

My art deeply reflects personal experiences, particularly as a father and my passions for music and sports. One sculpture, 'The Impossible Journey,' holds special meaning. It depicts a small boat, resembling a paper boat, on a water-like base, symbolizing the transformative potential of simple dreams, much like a paper sheet becomes a vessel for adventure.

This sculpture draws from my dream of making a mark in America, embodying the aspiration of a man with a boat, looking towards the horizon, mirroring my ambitions.

My sculptures of women often explore themes of relaxation and joy, depicting serene balance and enjoyment. They embody a calmness I admire, representing the peace we all seek in today's fast-paced life. These pieces encourage viewers to pause and savor life's quieter moments, reflecting the dual nature of human aspirations: chasing dreams and finding tranquility.

The "The Game" collection originated serendipitously, inspired by a basketball player who purchased my sculpture. This sparked the idea of creating a series that celebrates sports. As an architect turned sculptor, I conceptualize each piece, starting with a core idea and finding the best way to express it visually. The first basketball sculpture captured both the power and beauty of the sport, receiving positive feedback from galleries.

This success led to a broader collection, now comprising 85 sculptures that delve into the cultural aspects of sports in America, addressing themes like poverty, success, and diversity—including racial and sexual diversity.

Some pieces highlight sports as a force for transformation, elevating individuals from poverty. Others discuss discrimination in sports, reflecting on how athletes are perceived based on race or sexual orientation. Despite the weight of these themes, each sculpture is crafted with beauty and elegance.

This collection not only showcases artistic finesse but also offers cultural commentary, integrating the struggles and triumphs of sports with contemporary art. Each piece aims to be a thought-provoking, elegant addition to any setting, exploring the nexus of athletic and artistic achievement

Each material in my sculptures has a distinct voice that contributes to the story. While bronze forms about 80% of my work, certain narratives require different mediums like Italian marble or Swarovski crystals to enhance their impact.

In various installations, I blend materials like bronze, aluminum, and acrylic to enrich the artwork's expression, each adding unique texture and sheen. The choice of materials is deliberate, aimed at emphasizing the thematic essence of each sculpture. For instance, bronze communicates strength and timelessness, marble exudes purity and elegance, and crystals reflect brilliance.

This careful selection ensures that every sculpture is not only visually striking but also deeply resonant with viewers, perfectly embodying the narrative and emotional depth intended.

Exhibiting my work in Miami, a cultural epicenter, is a dream come true. Each sculpture begins as a small model, a maquette, envisioned to scale seamlessly into public spaces. My sculptures like "Chocolate Girl" and "Flamingo Girl" are gifts to the city, engaging with the community on a grand scale and enhancing public areas, not merely as decorations but as enrichments that encourage reflection and a fresh perspective.

These pieces serve as open narratives, allowing individual interpretation influenced by personal experiences. This interactive aspect is what I find most rewarding—my art might inspire someone to pause and dream, even briefly.

I use durable materials like bronze to ensure longevity, making these sculptures more than mere art; they are legacies meant to provide joy and inspiration for future generations.

Placing art in public spaces deeply connects with and contributes to the community, crafting experiences that resonate with everyone and become integral to the city's identity and daily life.

Transitioning from Chile to the global stage and establishing myself in the U.S. has presented both challenges and rewards. One significant challenge was the initial resistance from the art community, which often favors more traditional, established artists. This meant I had to work harder to be recognized, requiring persistence to build a reputation and develop a body of work that spoke my artistic language.

Despite these hurdles, I firmly believe that artists should be appreciated during their lifetime. It’s been essential for me to share my art now and witness people engaging with it while I am still active.

The most rewarding aspect has been developing a unique artistic style that is instantly recognizable, whether in Europe, Chile, or the U.S. Achieving recognition where my work is immediately associated with my name has been extremely fulfilling. It confirms that creating from the heart and being transparent in my expression allows me to effectively communicate through my art.

Additionally, placing sculptures in public spaces has been immensely rewarding. This exposure lets a broader audience experience my work, helping to establish my style globally. Each public installation furthers my artistic voice across different cultures.

These experiences have reinforced that maintaining vision and creativity in the face of challenges is as vital as artistic talent itself. Each challenge has driven my progress, and each recognition affirms my dedication to my art.

Being named 'Artist of the Year' by the Latin Grammy Awards in 2017 was a transformative event in my career. This accolade is highly prestigious in the Americas, comparable to the Grammys or Oscars. It arrived unexpectedly when I was merely seeking a new exhibition opportunity, making it both surprising and profoundly gratifying.

This recognition significantly elevated my profile in the U.S. art community, where such awards are revered, enhancing my credibility. The reality in the art world is that such accolades garner respect and attention. Although I believe art should stand on its own, the impact on my career has been profound, increasing my recognition, respect, and opportunities. Prestigious galleries started approaching me, my works entered esteemed collections, and my sales surged.

Moreover, there's a notable synergy between my art and the music celebrated by the Latin Grammys. Both share a rhythmic, dynamic quality with deep cultural resonance, enriching my work and aligning with these musical themes. This intersection has not only enhanced the award's impact but also expanded my audience and artistic collaborations.

Overall, receiving this award marked a pivotal shift, opening doors to future opportunities and fundamentally changing my perception in the art world and beyond.

I'm incredibly excited about future projects, particularly in Miami, where I aim to transform the city into a renowned hub for public art. You can expect to see several of my large sculptures enhancing Miami's cityscape soon, as I strive to enrich the city with art beyond the seasonal events like Art Basel.

I'm currently developing a new collection titled 'Seduction,' exploring themes of sensuality and beauty. This collection, set to premiere in Chile before coming to Miami, features around 100 sculptures that capture the essence of allure and femininity in provocative and vivid forms.

Additionally, I'm working on monumental sculptures that will leave a significant mark on their locations. For instance, in California, I'm creating a five-meter tall sculpture for Redondo Beach, and in Miami’s Brickell area, a similar large bronze piece is planned for installation next year.

These initiatives not only represent an expansion in scale but also an evolution in thematic focus and material usage. I'm exploring new materials to better express these themes, each piece pushing the boundaries of my artistic expression and contributing meaningfully to the communities that host my work.

I'm eager to showcase my art on a grand scale, bringing new narratives and aesthetic pleasures to public spaces, and inspiring viewers with the power and beauty of sculpture.