NEW YORK, NY — When GR Gallery opens the doors to its new Tribeca location on September 13, 2025, it will do so with a show that is equal parts whimsical and unsettling. FREAKS, featuring artists Kazy Chan, Satoru Koizumi, and Suanjaya Kencut, invites viewers into a world where tender nostalgia collides with quiet unease, and where the boundaries between innocence and awareness blur into a dreamlike haze.
The exhibition will present 15 works—paintings and sculptures—that together form an emotionally charged, visually arresting dialogue on transformation, memory, and the human condition. The opening reception will be held on Saturday, September 13, from 6:00 to 8:00 p.m., with the show running through October 11, 2025 at 116 Chambers Street, 2F.
Taking its name from Tod Browning’s 1932 cult classic Freaks, the exhibition nods to the film’s exploration of the extraordinary, the grotesque, and the poignantly human. Here, however, the reference serves less as homage and more as a conceptual springboard—one that allows each artist to explore the delicate line between charm and morbidity, irony and sincerity, social critique and tender observation.
Satoru Koizumi’s carved wooden sculptures—part human, part animal—reflect the precision of traditional Japanese craftsmanship while confronting the quiet alienation of modern life. Their vacant gazes and hybrid forms evoke both serenity and disquiet, drawing the viewer into an intimate space of contemplation.
Suanjaya Kencut, a longtime collaborator with GR Gallery, contributes his signature soft-eyed doll figures. These beings, suspended between childlike wonder and mature awareness, enact silent dramas within staged, everyday scenes, leaving the audience to fill in the unspoken narrative.
Kazy Chan’s paintings, awash in vivid hues and soft brushwork, populate dreamscapes where enigmatic characters undergo metamorphoses both internal and external. In these works, transformation becomes not just a theme but an environment—a place where self-reflection is as much an act of imagination as of memory.
FREAKS marks the first exhibition in GR Gallery’s new Tribeca home, a space designed to foster the kind of immersive, intimate encounters that these works demand. The setting amplifies the show’s liminal qualities, offering visitors a pause from the city’s relentless rhythm—a chance to reconnect with half-forgotten memories and the naive curiosity of earlier days.
In a city defined by spectacle, FREAKS offers a subtler, more introspective invitation: to slow down, look closely, and engage with the strange, delicate, and deeply human threads that bind us all.
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